Instead of being a simple science fiction thriller, Alex Garland’s ‘Annihilation’ is a profoundly symbolic examination of self-destruction that is frequently interpreted as a mirror of the unrelenting growth of cancer. The movie unnerves viewers by urging them to move away from definitive interpretations and toward a more visceral, confusing experience.
Instead, ‘Annihilation’ transports audiences to the confusing and fantastical world of “The Shimmer,” a shadowy realm that changes everything it comes into contact with. The plot centres on Lena, a biologist who returns from a previous expedition into The Shimmer with a dramatically changed understanding of what happened to her husband, Kane. It contains strange, horrifying events that her team experiences: animals change, environments change, and even their own bodies and minds begin to change, much like cancer changes cells.
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Garland visualises this metamorphosis in scenes of hideous beauty by using biological mutation and cellular imagery to reflect how cancer spreads and changes life.
From a symbolic perspective, the characters themselves appear to embody the phases of mourning, reacting to The Shimmer’s mayhem with differing levels of bargaining, rage, and acceptance. Each character’s journey through this bizarre environment mimics the psychological battle that cancer sufferers may experience, from identity dissolution to physical breakdown, while the mutations in ‘Annihilation’ echo a cancerous spread.
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Lena’s confrontation with her doppelgänger at the film’s conclusion represents an internal conflict with one’s own “alien” self—cancer as an invasion of one’s own body. Through the use of metaphor, Garland transforms The Shimmer into a place where both individual and societal anguish emerge, compelling spectators to face their own anxieties about change and loss. Instead of providing viewers with definitive solutions, ‘Annihilation’ encourages continuous reflection and debate regarding the meaning of death, life, and the most sinister facets of human existence.
–Farheen Ali