‘Blink Twice’ Soundtrack: Full Song List Revealed

The movie’s soundtrack is a masterful blend of tracks that perfectly enhance its psychological thriller atmosphere and tropical island setting. Director Zoe Kravitz, known for her musical expertise, carefully selected each song, creating an auditory experience that complements the film’s narrative.

The ‘Blink Twice’ soundtrack features a mix of R&B artists, contemporary music legends, and more, with a significant presence of James Brown’s music woven throughout the film. Notably, one of Beyoncé’s songs is featured towards the end, adding a surprising and powerful touch to the movie’s conclusion.

‘The Boss’ by James Brown

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James Brown’s 1973 song ‘The Boss’ from his album ‘Black Caesar’ is featured prominently in the film, playing twice at key moments. The first instance is at the beginning when Frida listens to it on her way to work at the Slater King gala.

The song is revisited during the final moments of the film and continues into the closing credits, creating a powerful bookend to the movie’s narrative.

‘Somebody Made For Me’ by Emitt Rhodes

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Emitt Rhodes’ song ‘Somebody Made for Me’ from his 1970 self-titled album is the second track featured in the movie’s soundtrack. It plays as Frida, Jess, and the others make their arrival on the island.

This song sets the tone for the group’s introduction to the tropical setting, adding a nostalgic and melodic backdrop to their journey.

‘Don’t Be Scared’ by Yoko Ono And John Lennon

Yoko Ono and John Lennon’s 1984 song ‘Don’t Be Scared’ from their final album, ‘Milk and Honey’, is prominently featured in the movie. It plays during the scene where the characters relax by the pool on their first day on the island.

The track enhances the laid-back, introspective mood of the scene, reflecting the characters’ initial moments of leisure and adjustment to their new surroundings.

‘Jungle Fever’ by Chakachas

Chakachas’ track ‘Jungle Fever’ from their 1970 album of the same name is featured prominently during the early party scenes in the movie. The upbeat, infectious rhythm sets the tone for the festivities before the narrative takes a darker turn.

The song’s lively beats create an atmosphere of excitement and celebration, reflecting the characters’ carefree enjoyment at the start of the film.

‘Young Hearts Run Free’ by Candi Staton 

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Candi Staton’s ‘Young Hearts Run Free’ from her 1976 album of the same name is featured during a lively party scene on the island. The song sets a vibrant and carefree mood as the group enjoys their evening together.

The upbeat track plays just before Jess’s unexpected encounter with a snake, adding a poignant contrast to the scene as the fun takes a sudden and dramatic turn.

‘Really, Really, Really’ by James Brown

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James Brown’s ‘Really, Really, Really’ from his album ‘Slaughter’s Big Rip-Off’ sets the scene for a fun-filled girls’ day in the film. The track plays while the women enjoy their time together, contrasting with the boys’ fishing trip.

The energetic song underscores the lively atmosphere as the women bond and revel in their day off, providing a vibrant soundtrack to their carefree moments.

‘Ain’t Nobody’ by Rufus And Chaka Khan

Rufus and Chaka Khan’s ‘Ain’t Nobody’ plays during the lively dinner scene where Frida and Sarah start dancing on the table. The infectious rhythm quickly gets everyone in the mood, prompting the entire group to join in on the impromptu dance party.

The song enhances the celebratory atmosphere of the scene, perfectly capturing the spontaneous and exuberant spirit of the moment as the guests let loose and enjoy their time together.

‘I’m That Girl’ by Beyoncé 

Beyoncé’s ‘I’m That Girl’ from her album ‘Renaissance’ features prominently in a pivotal scene towards the film’s conclusion. The track plays as Sarah and Frida make their way to meet the men in the third act, adding a powerful backdrop to this crucial moment.

The song’s dynamic energy and confident tone underscore the significance of the scene, heightening the tension and drama as the characters converge. Its presence not only enriches the atmosphere but also aligns perfectly with the film’s climax.

‘People Get Up And Drive Your Funky Soul’ by James Brown

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James Brown’s ‘People Get Up And Drive Your Funky Soul’ from his 1973 album ‘Slaughter’s Big Rip-Off’ features prominently in the film. The song is played twice: initially during a scene where the women run through the yard at night, capturing the vibrant and energetic atmosphere of the moment.

The track resurfaces later in the film as Frida reflects on her time on the island, enhancing the nostalgic and introspective tone of the scene. Its recurring presence effectively ties together the film’s energetic and reflective elements.

-Sushmita Sarkar