‘Crónicas’: Why is Guillermo del Toro-Produced Serial Killer Thriller Special?

‘Crónicas’ (2004) is a haunting film that stays with viewers long after the credits roll, aided by the production talents of Guillermo del Toro and Alfonso Cuarón. Directed by Sebastián Cordero, the thriller immerses audiences in Ecuador, following TV reporter Manolo Bonilla, played by John Leguizamo in his first Spanish-language role, as he chases the story of a serial killer known as the “Monster of Babahoyo.” What begins as a typical media frenzy escalates into a more sinister narrative when Manolo finds himself entangled in a dangerous relationship with Bible salesman Vinicio, portrayed by Damián Alcázar.

What sets ‘Crónicas’ apart is its dual role as both a thriller and a critique of journalistic ethics, questioning how far reporters will go for a headline. Leguizamo’s performance walks a fine line between heroism and opportunism, prompting viewers to consider the ethical implications of Manolo’s relentless pursuit of the scoop that could elevate his career. The film is rife with intense performances, unexpected plot twists, and a morally ambiguous storyline that keeps audiences engaged. 

Image Courtesy: IMDb

Leguizamo steps away from his usual comedic persona to present a more complex character, illustrating Manolo’s desperation to secure his big break. This obsession drags him into morally dubious territory, compelling him to manipulate facts and even solicit the help of the alleged killer. As he digs deeper into the investigation, viewers are left questioning whether he seeks justice or personal gain.

The charm that Leguizamo typically exudes becomes a double-edged sword, making it difficult for the audience to judge Manolo impartially. Ultimately, the film is an intriguing exploration of ambition and morality. Cordero crafts a gripping narrative that transcends the typical crime thriller, while del Toro’s influence ensures a nuanced examination of human nature. ‘Crónicas’ deftly asks the question of who the real monster is: the killer or the journalist exploiting the story. This moral complexity is a hallmark of del Toro’s work, enhancing the film’s depth and resonance.

–Farheen Ali