Disney's Most Inspiring Heroine: Why She Isn't a Princess

Disney's reputation for exceptional animation began with its first female-led feature, ‘Snow White and the Seven Dwarfs’ in 1937. This success inspired Disney to produce a series of animated hits, including blending animation with live-action in films like ‘Mary Poppins’ (1964). This eventually led to the creation of the official Disney Princess brand in 2000. While many princesses have come and gone, one character notably absent is Megara from ‘Hercules’ (1997).

Known simply as ‘Meg,’ she offers a refreshing departure from traditional Disney heroines. Unlike other non-royal characters such as Esmeralda and Mulan, who have occasionally been recognized as Disney Princesses, Meg has never received that title, possibly because she exists in a unique realm of her own. Critics have debated the portrayal of Disney princesses, suggesting that earlier characters set poor examples by waiting for rescue instead of pursuing their own paths. This concern is amplified by the portrayal of princess dolls as unrealistic, promoting thinness and potentially affecting body image among young viewers.

Image Courtesy: Disney

The Disney Renaissance, starting with ‘The Little Mermaid’ (1989), introduced more complex female leads. Ariel, for instance, dreams of being human without focusing solely on romance. Characters like Belle, Jasmine, and Mulan were written with greater depth, showcasing ambitions beyond romantic pursuits. 

Meg stands out for her duality, functioning as both protagonist and antagonist. Initially motivated by selfish desires, her character evolves through her interactions with Hercules, contrasting with the inherently virtuous arcs of other princesses. The creators of ‘Hercules’ aimed to differentiate her from traditional heroines, making her one of the first non-virginal romantic leads in Disney history.

Image Courtesy: Inside the Magic

As Disney strives to evolve its portrayal of female characters, it continues to grapple with its past. The studio’s attempts to address criticisms include playful nods to earlier portrayals, like the princesses in ‘Ralph Breaks the Internet’. However, the balance between romantic and independent narratives remains challenging. Meg, with her relatable flaws and complex personality, remains a standout in Disney's pantheon of heroines, reflecting a more modern representation of women.

–Farheen Ali