How a Scene in ‘The Platform 2’ Undermines the Brilliance of the Original Film
Horror has long been a vehicle for social commentary, allowing creators to address real-world issues through their chilling narratives. Few films have managed to achieve this as effectively as Galder Gaztelu-Urrutia’s ‘The Platform’. When it premiered on OTT, it captivated audiences with its story of a massive tower and the food platform that inmates rely on for survival. The film included significant twists, compelling performances, and a profound metaphor about the power dynamics in society, generating excitement for a sequel.
‘The Platform 2’ revisits the same eerie tower, attempting to recapture the original’s themes and atmosphere. However, it seems to overreach in its efforts. While it follows a woman’s harrowing journey through this unsettling scenario, the sequel struggles to expand upon the original’s exceptional ending, ultimately diminishing the narrative’s impact. Rather than enhancing its core themes, it risks undermining both films.
Image Courtesy: Netflix
Though it introduces new characters and storylines, ‘The Platform 2’ effectively portrays the horrific challenges faced by its protagonist, Perempuán (Milena Smit). Like Goreng from the first film, she navigates a perilous environment filled with cult-like leaders and brutal individuals. The climax mirrors the original, as she sacrifices herself for a child, symbolizing hope for future generations. However, the revelation that this has occurred repeatedly before strips away the uniqueness of their sacrifices.
The ending suggests that Goreng and Perempuán’s actions were not as significant as intended, rendering their sacrifices seemingly futile.
Image Courtesy: Netflix
Despite this, ‘The Platform 2’ continues to critique societal structures, illustrating how the ruling class pits individuals against each other, preventing them from questioning their dire circumstances. While the film still offers valuable insights, the final scene casts doubt on the effectiveness of the protagonists’ actions, ultimately diminishing the emotional weight of both narratives.
–Farheen Ali
