‘In Fabric’ is a Hidden Gem in A24’s Collection, a Chilling Horror Tale of a Deadly Dress
In the realm of independent cinema, A24 reigns supreme, especially when it comes to horror. Their innovative approach to storytelling, exemplified in films like ‘Green Room’ and ‘The Witch,’ has redefined the genre. However, amidst their rise to prominence, one horror gem seems to have slipped through the cracks. ‘In Fabric,’ crafted by Peter Strickland in 2018, is a mesmerizing blend of horror elements, weaving together threads of suspense, fantasy, and psychological intrigue.
The film follows Sheila, portrayed by Marianne Jean-Baptiste, a single mother grappling with the challenges of her life. Divorced and disillusioned, Sheila seeks solace in a mysterious “artery red” dress, unaware of its sinister nature. As she delves deeper into the garment’s allure, she becomes entangled in a web of dark forces, including a coven of vampiric witches and the unsettling aura of consumerism.
Also Read: ‘Hellbent’: This Gory ’00s Slasher Redefined Horror
What sets ‘In Fabric’ apart is its ambiguity. The true nature of the dress remains elusive, its actions oscillating between seductive and malevolent. Through Sheila’s journey, Strickland explores themes of desire, beauty, and the commodification of identity. Marianne Jean-Baptiste delivers a compelling performance, infusing Sheila with complexity and vulnerability.
Strickland’s stylistic homage to Giallo horror adds another layer of intrigue to the film. Drawing inspiration from Italian cinema, he creates a visually arresting narrative infused with bold colours, surreal imagery, and palpable tension. The result is a cinematic experience that immerses viewers in a world of sensory overload and psychological unease.
‘In Fabric’ may have flown under the radar upon its release, but its innovative storytelling and striking visuals make it a hidden gem waiting to be discovered. As A24 continues to push the boundaries of horror, ‘In Fabric’ stands as a testament to the studio’s commitment to bold and unconventional filmmaking.
– Farheen Ali
