‘Kingdom of Heaven’: Edward Norton’s Best Performance Was Delivered Without Ever Showing His Face
The 2005 medieval epic ‘Kingdom of Heaven’ by Ridley Scott is frequently disregarded, probably because it is overshadowed by the director’s previous classic blockbusters, such as ‘Gladiator’, ‘The Last Duel’, and ‘Napoleon’. Nonetheless, the movie features Scott’s trademark majesty, gripping narrative, and outstanding performances. Orlando Bloom portrays Balian, a blacksmith who plays a crucial role in defending Jerusalem during the Third Crusade, in a restrained but powerful performance. In her portrayal of Sibylla, Eva Green excels, echoing the subdued passion of Connie Nielsen’s Gladiator character.
The supporting ensemble, which includes young Michael Sheen as a cunning priest, Alexander Siddig as Saladin’s faithful advisor, and Liam Neeson as Balian’s strict father, is also outstanding. However, Edward Norton’s portrayal of King Baldwin IV of Jerusalem is the most outstanding. Norton gives one of his most unforgettable performances, even though he never shows his face.
Image Courtesy: IMDb
Known for his tough roles in ‘Fight Club’ and ‘American History X’, Norton faced a very different task in ‘Kingdom of Heaven’. His portrayal of Baldwin, a young monarch suffering from leprosy, is profoundly complex and compelling. Norton is forced to rely only on voice and body language because the character’s face is hidden under a silver mask. He draws viewers into Baldwin’s wisdom and quiet authority by maintaining a calm, nearly still presence rather than overcompensating with excessive motions.
There is absolutely no battle in one of the movie’s most memorable scenes. Before administering prompt punishment, Baldwin demands a “kiss of peace” on the ailing hand of the renegade Crusader Raynald of Châtillon in a tense scene. Baldwin’s knowledge, self-control, and waning strength are all captured at this moment. With his nuanced and impactful performance, Norton solidifies the ‘Kingdom of Heaven’ as an underappreciated masterpiece in Scott’s filmography.
–Farheen Ali
