‘Knox Goes Away’ Review: A Darkly Humourous Take on Dementia and Hit Men

The fall film festivals are buzzing with hit men this year. Following the success of Bill Hader’s ‘Barry,’ David Fincher’s ‘The Killer’ and Richard Linklater’s ‘Hit Man,’ Michael Keaton steps into the hitman scene with his latest directorial venture, ‘Knox Goes Away.’

But ‘Knox Goes Away’ isn’t just another hit-man flick; it’s a unique blend of crime, comedy and drama that tackles the theme of dementia with a surprising lightness of touch. Keaton, who directs and stars in the film, plays John Knox, a philosophical hitman affectionately nicknamed Aristotle. When Knox receives a grim diagnosis of untreatable dementia, he sets out to tie up loose ends while navigating the challenges of his deteriorating mental state.

Also Read: ‘The Outrun’ Review: A Beautiful Dive Into Addiction and Recovery

The film weaves together elements of a character study, a whodunit, and a comedy, following Knox’s misadventures as he attempts to outsmart both the police and his failing memory. With the help of his loyal friend Xavier Crane (played by Al Pacino), Knox devises a plan to stay ahead of the game, despite the odds stacked against him.

‘Knox Goes Away’ is a nod to classic film noir, with its shadowy cinematography and moody score. Yet, it maintains a breezy pace that keeps audiences engaged from start to finish. Keaton’s performance is understated yet compelling, capturing the essence of a man grappling with his mortality while retaining his wit and determination.

As Knox navigates the complexities of his predicament, the film delivers moments of dark humour and poignant reflection. It’s a testament to Keaton’s skill as both actor and director that ‘Knox Goes Away’ strikes the perfect balance between entertainment and introspection.

In a festival season dominated by hit-man narratives, ‘Knox Goes Away’ stands out as a refreshingly original take on the genre. With its sharp writing, compelling performances and deft direction, it’s a film that leaves a lasting impression, long after the credits roll.