‘Poor Things’ Deserves to Win ‘Best Picture’ at The Oscars, Here’s Why

Emma Stone’s performance in Yorgos Lanthimos’s latest cinematic project, ‘Poor Things,’ is nothing short of mesmerising. The film, based on the audacious high concept from a scabrous yet brilliant mind, invites audiences into a world where the absurd and the profound collide with breathtaking audacity.

At the heart of ‘Poor Things’ lies the extraordinary melodrama of Victoria Blessington, portrayed with striking authenticity by Stone, set against the backdrop of a fantastical Victorian era. Stone’s delivery of the film’s outrageous lines adds depth and nuance to the character, making her a captivating force on screen.

Also Read: About ‘Poor Things’: What is The Award-Winning Film About?

The narrative unfolds with gripping suspense, propelled by hallucinatory cinematography that seamlessly transitions between colour and monochrome. Lanthimos’s direction, coupled with inspired production design and costumes, creates a visual spectacle that leaves a lasting impression.

The story follows Victoria’s journey from the depths of despair to a newfound sense of purpose, intertwined with elements of dark humour and unexpected twists. Willem Dafoe’s portrayal of troubled anatomist Godwin Baxter adds layers of complexity to the narrative, while Ramy Youssef and Mark Ruffalo deliver standout performances that complement Stone’s captivating presence.

Tony McNamara’s adaptation of Alasdair Gray’s original novel is masterful, capturing the essence of the source material with precision and flair. Robbie Ryan’s cinematography, Shona Heath and James Price’s production designs, and Holly Waddington’s costumes contribute to the film’s immersive atmosphere.

Despite its critical acclaim, ‘Poor Things’ has faced criticism for its portrayal of female characters and its perceived male fantasy elements. However, the film’s transgressive energy and daring storytelling transcend conventional boundaries, challenging audiences to confront uncomfortable truths.