Revealing The Creator of One of the Most Startling Horror Movies of The 90s

Exploitation films push the boundaries of horror, often leaving viewers feeling disturbed and questioning their ethical boundaries. In 1977, a particularly shocking exploitation film called ‘Last House on Dead End Street’ hit the screens, sparking speculation among audiences and critics alike. The film’s gruesome and violent murders led some to wonder if they were real.

Adding to the mystery, everyone involved in the production used pseudonyms, fueling rumours that the film might depict actual killings. Even though ‘Last House on Dead End Street’ remained relatively obscure, its content was undeniably graphic, even in its edited theatrical release.

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The film, directed by Roger Watkins, follows Terry Watkins, an ex-convict and aspiring filmmaker who sets out to create an extreme snuff film. Terry’s twisted plan involves murdering his actors on camera, pushing the boundaries of horror filmmaking to new extremes. 

Despite the film’s shocking content, Watkins initially concealed his involvement, using a fake name upon release. The film underwent several title changes before settling on ‘Last House On Dead End Street’, a move perhaps intended to capitalize on the success of Wes Craven’s similarly titled film.

The use of pseudonyms by Watkins and the cast only fueled speculation about the film’s authenticity, with rumours circulating that it depicted real murders. However, these rumours were never substantiated. Watkins eventually revealed himself as the director, first in a 1973 newspaper article and later in Chas Balun’s ‘The Deep Red Horror Handbook’. Despite the film’s controversial nature, Watkins claimed he simply aimed to create a pure horror film, devoid of deeper social commentary.

Inspired by the ‘Manson Family Murders’, ‘Last House on Dead End Street’ shares thematic similarities with its real-life counterpart. Watkins drew parallels between Manson’s recording of his murders and his film, where killings are captured on camera. The film’s original version was much longer than the released cut, hinting at even more gruesome content that audiences may never see.

– Farheen Ali