Shailene Woodley Stars in ‘To Catch a Killer,’ a Contemporary Take on ‘Silence of the Lambs’

‘To Catch a Killer’ draws heavily from classic serial killer films like ‘Se7en’, ‘The Silence of the Lambs’, and ‘Zodiac’, yet it updates these themes for today’s audience. The film centres on rookie FBI agent Eleanor (Shailene Woodley), who brings both depth and imperfections to her role, paired with a compelling dynamic with fellow agent Lanark (Ben Mendelsohn). One of the film’s strengths is its choice to withhold the killer’s identity until the climax, heightening suspense.

The film opens with a dramatic New Year’s Eve scene in Baltimore where a sniper attacks celebrators with deadly precision. This shocking sequence sets the tone, introducing the killer’s threat through rapid, efficient violence rather than grotesque methods. This approach shifts focus from traditional gore to the broader impact of the attacks on the public and media.

Also Read: Movies And TV Shows to Watch Before ‘Deadpool & Wolverine’

While the film doesn’t shy away from exploring the effects of constant news coverage and public fear, it maintains its core as a psychological chase between Eleanor and the killer. The narrative unfolds gradually, offering clues without overtly revealing the killer’s identity, which enriches the mystery.

Incorporating modern issues like media influence and public panic, To Catch a Killer stands out by blending these elements into its plot. The mall sequence, in particular, highlights its unique take on the genre, integrating contemporary concerns into the traditional serial killer framework.

Woodley’s portrayal of Eleanor adds a personal touch to the narrative, showcasing her internal struggles while connecting deeply with the killer’s motivations. The film wraps up with a nuanced look at the killer’s psyche, suggesting a tragic rather than purely evil character, which adds emotional depth to the final scenes. Despite not reaching the polished level of its predecessors, To Catch a Killer effectively captures the essence of the serial killer genre in a modern context.

–Farheen Ali