The Worst Changes Netflix Made to ‘Avatar: The Last Airbender’
Adapting ‘Avatar: The Last Airbender’ for Netflix poses a tricky task, particularly in Season 1. While alterations are expected for any adaptation, not all changes in the plot benefit the story. Due to differences in episode numbers and length, as well as the shift to a new medium, some plot elements had to be left out.
Additionally, certain characters and storylines seem to have been introduced prematurely, possibly for marketing reasons, leading to criticism, especially regarding Aang, Katara and Sokka’s arcs. Given that Season 1 has been portrayed twice before in film and TV, rewriting it presents a significant challenge.
Some changes seem unnecessary, possibly stemming from a desire to offer a fresh take on a familiar tale, despite the audience’s familiarity with the storyline. Season 2 may face fewer challenges in this regard, but the writers still need to ensure the integrity of the original characters remains intact.
Here are some of the worst changes Netflix made to ATLA.
Also Read: Netflix ‘Avatar: The Last Airbender’: Will There Be a Season 2?
Ozai is Given a High Screen Time
Ozai faces a similar problem as Azula in the Netflix adaptation of ‘Avatar: The Last Airbender.’ In the original series, Ozai remains mysterious and menacing, rarely appearing until later as the ultimate threat. However, Netflix’s added scenes likely meant to develop Zuko’s character and diminish Ozai’s intimidation.
Extended moments, like the Agni Kai duel and the conversation where Ozai banishes Zuko, lessen his impact. Ozai’s shadowy presence and the audience’s discovery of Zuko’s mission from others contribute to his cruel portrayal.
While changes to his relationships with his children add depth, they could have been introduced later without altering his initial impression. Ultimately, Ozai and key moments lose some impact in Netflix’s adaptation of ‘Avatar: The Last Airbender.’
Aang Speaking to Three Avatars
In season 1 of Netflix’s ‘Avatar’ series, Aang communicates with the previous Avatars through visions, each representing a different nation. These conversations, while engaging, follow a similar pattern: advice about the Avatar’s duty and the burden of friendships.
Kyoshi’s epic battle against the Fire Nation, Roku’s contrasting demeanour and Kuruk’s counsel all contribute to Aang’s internal conflict about having friends. Yet, the resolution feels somewhat lacking. While the show raises valid questions about Avatar’s obligations versus personal connections, Aang’s reconciliation with these conflicting ideals is left somewhat unresolved.
Instead, Katara’s assertion of their friendship prevails without a deeper exploration of the Avatar’s inner turmoil.
Introducing Azula Too Soon
Netflix’s rendition of Azula in the ‘Avatar: The Last Airbender’ takes a different approach from the original. Unlike the original show, where Azula’s presence is only hinted at until the dramatic finale of season 1, Netflix brings her into the spotlight early on. This change, along with a subplot featuring her attempts to prove herself to Ozai, alters her character’s introduction significantly, serving more as fan service than narrative necessity.
Moreover, the show unnecessarily ties Azula to Zhao’s plot, making her the mastermind behind his actions. In the original, Zhao’s role is distinct, meant to drive conflict until Azula’s eventual chilling entrance. By intertwining their stories prematurely, the series loses the impact of Azula’s grand arrival and needlessly extends the narrative of season 1.
It’s a departure from the original storyline and detracts from the intrigue surrounding Azula’s character development and her complex relationship with her father.
The Build-Up Surrounding The Moon Spirit
Momo faces a close call while protecting a child from falling debris, requiring Yue to revive him. This incident propels Sokka and Yue toward the Ocean and Moon Spirits, introducing unnecessary plot twists. Iroh fails to intervene as Commander Zhao threatens the Moon Spirit, adding unnecessary tension.
Meanwhile, the characters ponder Aang’s fate, with Sokka suggesting a far-fetched solution to revive the Moon. Yue ultimately sacrifices herself, a predictable yet poignant moment. While Netflix attempts to enhance the storyline, the added complexity feels forced and insincere, detracting from the original’s emotional impact.
Overlooking Katara’s Training
In the original series, Katara’s advancement in water bending is portrayed as rapid but somewhat believable, with a hint of a time jump where she trains with Pakku. This allows her to become qualified to teach Aang, as she was his more dedicated apprentice and waterbending came naturally to her.
However, Netflix’s adaptation rushes Katara’s progression, declaring her a master after learning from a single scroll in just a few months. This abrupt advancement is highlighted by the fact that Katara had been expressing the need for further training throughout the season. The original series incorporates a small time jump, which adds context to Katara’s development, something missing in Netflix’s version.
