‘Joker: Folie à Deux’, the much-anticipated sequel, picks up the story of Arthur Fleck, portrayed by Joaquin Phoenix, following his shocking act of violence on live television when he murders Murray Franklin, played by Robert De Niro. As Arthur is institutionalised at Arkham Asylum, he faces five murder charges while awaiting trial.
The courtroom drama unfolds as Arthur’s defence attorney argues that his alter ego, the Joker, was responsible for the crimes, asserting that Arthur is now sane. Conversely, the prosecution contends that Arthur was fully aware of his actions during the killings, painting a picture of a man who has meticulously planned his descent into madness. This trial becomes significant as it marks the first televised court case in this universe.
Image Courtesy: The Hollywood Reporter
During his time in Arkham, Arthur meets the enigmatic Harley Quinn, brought to life by Lady Gaga. Their immediate chemistry is palpable as they both navigate their twisted realities, with Harley matching Arthur’s eccentricities and psychological complexity.
This relationship poses intriguing questions: Is Arthur genuinely struggling with a split personality, or is he fully aware of his actions? Can he discern between reality and the delusions he experiences?
Furthermore, is Harley’s affection for him genuine, or is she merely playing a part in his chaotic life?
Visually, ‘Joker: Folie à Deux’ is a stunning spectacle, complemented by hauntingly brilliant background scores.
The musical elements, which could have been a source of concern, instead serve to enhance the narrative, creating moments of unexpected joy amid the dark themes. At times, the film immerses viewers in a trance-like state, captivating their attention. However, despite these strengths, the film ultimately falls short of its potential.
The initial promise of a gripping narrative gives way to aimlessness and a lack of depth, rendering the storyline sluggish and, at times, tedious. The drawn-out courtroom scenes detract from the overall excitement, and creative liberties seem haphazard, leaving Lady Gaga’s Harley Quinn with limited material to showcase her talents.
-Sushmita Sarkar