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Image Courtesy: The New York Times
The smart and impressive development of the mockumentary template that produced 'The Office' a cultural icon is evident in Peacock's 'The Paper'. This new series, which was created by Michael Koman and Greg Daniels, co-creators of the American version of 'The Office', brings back the documentary team that previously covered Scranton's Dunder Mifflin. Their focus now shifts to Toledo, Ohio's The Truth Teller, a failing local newspaper.
In charge is Ned Sampson (played by Domhnall Gleeson), whose sincere desire to save the paper gives the show a sense of humour and real affection. An eclectic cast of journalistic employees, eager but inexperienced volunteer reporters, and a lively yet chaotic atmosphere that feels genuine to the mockumentary spirit surround him.
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Image Courtesy: Variety
The reappearance of Oscar Nuñez as Oscar Martinez, who is now an accountant at The Truth Teller, is one of the most interesting connections to 'The Office'. While firmly establishing the show in its own unique world, his return signifies a polite homage to devoted viewers.
From Scranton to Toledo – A New Chapter in Mockumentary Comedy
'The Paper' has an incredible creative staff behind the scenes. Alongside Daniels and Koman, executive producers are original creators Ricky Gervais and Stephen Merchant—tying the project back to The Office’s British beginnings. The same observational lens of workplace absurdity is extended by the screenplay and direction, which now shifts its focus to the difficulties of contemporary journalism.
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Image Courtesy: The Hollywood Reporter
Peacock’s release plan sets the tone—dropping the first four episodes on 4th September, and following up with two additional episodes each Thursday, starting from 25th September. This rollout builds anticipation over the month and allows viewers to consume in pieces.
Watch the Official Trailer:
While comparisons to The Office are natural, Gleeson himself cautions against it—saying Ned Sampson 'isn’t like Michael Scott at all', and urging audiences to appreciate the new character and story on their own merits.
