Farheen Ali

Noah Wyle won his first Emmy for 'The Pitt,' thanking cast, family, and wife Sara for support, while dedicating the award to frontline ER workers and celebrating his career milestone.

Professor Flitwick, Ravenclaw's Head and Charms Master, was a skilled duelist, inspiring teacher, and brave defender at Hogwarts—an unsung hero whose quiet brilliance shaped students and upheld wizarding values.

Selena Gomez, 33, praised Pixar's 'Inside Out' for its emotional impact, saying she'll share it with future kids. Reflecting on motherhood, she highlighted the film's lessons on emotions and self-understanding.

Anna Wintour, 75, reflected on 'The Devil Wears Prada,' praising its cast and fairness. Recently stepping down as Vogue's editor-in-chief, she continues shaping fashion as Condé Nast's global content chief.

Hugh Jackman and Kate Hudson star in 'Song Sung Blue,' a holiday musical drama about love, second chances, and Neil Diamond tributes, premiering in December under Craig Brewer's direction.

'Eleanor the Great' casts Holocaust survivors for authenticity, blending history, community, and heart. Premiering at TIFF, it explores Jewish identity, intergenerational bonds, and New York life, marking Johansson's directorial debut.

Peter Dinklage credits patience for sustaining his 20-year marriage with Erica Schmidt, celebrates family privacy, and stars in crime-comedy 'Roofman,' alongside Channing Tatum and Kirsten Dunst, premiering in October after TIFF debut.

Gigi Hadid, 30, opens up in 'Vogue' about her romance with Bradley Cooper, inspiring new creative ventures, including acting. She auditioned for 'Rapunzel,' embraces challenges, and celebrates sisterhood with Kendall Jenner.

Taylor Swift skipped the 2025 VMAs, her first absence since 2021, likely to support fiancé Travis Kelce's NFL opener. Without new music to promote, she prioritised personal life over the ceremony.

Agnieszka Holland unveils 'Franz,' a Kafka biopic shaped as a mosaic, blending his personal struggles and legacy. Inspired since youth, Holland rejects convention, honouring Kafka's contradictions while continuing her politically charged filmmaking.